Sunday, April 23, 2023

Animals Are People Too (sort of) - Separating Fantasy from Reality



"Everything we hear is an opinion, not a fact. Everything we see is a perspective, not the truth."
-Marcus Aurelius      

    Recently, I reviewed the unique cinematic work known as Cocaine Bear: a horror/comedy (sort of) based on actual events in which a Black Bear consumed a large amount of drugs and, in the movie at least, goes on a murder rampage. In my review, I found the movie to be a decently crafted and silly romp that doesn't ask too much of the audience or take itself too seriously. It has a silly idea and plays with it to its fullest potential, which I appreciate and enjoy (ironically, sometimes). 

    However, upon publishing that review, one of my readers brought up something that made me feel uneven for not considering it before. That is the movie's potential (either deliberate or accidental) for influencing extra violence toward Bears and other animals. For example, the reader mentioned the Steven Speilberg classic Jaws from 1975, the movie featuring a killer Shark that was partially responsible for creating and popularizing the summer blockbuster. It was also cited as an influence for extra violence towards Sharks shortly after its release, causing an uptake in random and needless Shark hunting. 

    While I understand and appreciate (for want of a better word) where this particular reader is coming from and remain deeply grateful for the wisdom imparted from those comments, it does raise an often overlooked aspect of cinema: its influence and inspiration towards people's behavior and actions. It goes without saying that cinema has a profound and incredibly nuanced power to inspire, encourage, and even demand specific ideologies and philosophies through elegant simplicity. They can range from simple and harmless (like fashion choices) to potentially dangerous and incredibly harmful (like propaganda). The question is, at what point do you draw the line between harmless fun and reckless endangerment? 

    Separating art from the artist and, by extension, fantasy from reality, regardless of any external factors and influences, whether deliberate or not, is one of my primary practices as an artist and a critic. Most of the time, I make great efforts to judge the work independently. When I watched and reviewed Cocaine Bear, my opinions formed therein were purely based on the movie...as a movie! In recognizing it as nothing more than a wacky (albeit gory) bit of schlock with no real purpose other than to provide a bit of controlled insanity for entertainment value, I didn't see any cause for alarm. And right there is the heart of the potential issue that is far too easy for people like ourselves to overlook: the ability to appropriately separate fantasy from reality. 

    Of the many changes to our existence on this piece of solar driftwood in the 21st century, the most egregious and dangerous is the alarming number of people who don't know how to separate fantasy from reality. Even worse, some have worked or currently work in the government. I shouldn't point out anyone, specifically, *cough* Donald Trump *cough* Marjorie Taylor Greene *cough*. Still, these people are so disconnected from reality it has caused and continues to cause deadly repercussions for the rest of us. Once more, these people are easily manipulated and overly influenced by the wrong sources of information and inspiration. 

    While you and I are more likely capable of recognizing art as a subjective medium, separating fantasy from reality and enjoying the silliness of it all, the unfortunate fact is that there are far too many people out there who have yet to learn this all-important discipline and, in all likelihood, never will, either due to a lack of internal motivation or negative reinforcement from too many loud external sources. I'm looking at you, FOX News! 

    While I stand by my initial appraisal of Cocaine Bear as a silly romp, I also recognize that it's not a great movie by any stretch of the imagination, nor is it best suited for all audiences. This is a point I mentioned in my review, though not as strong as I should have, in all fairness. I do not regret finding some level of enjoyment from the movie. I do, however, regret that there are too many people out there who do not share my discipline of separating art from reality and will likely use their improperly placed inspiration to cause significant harm to others, in this case, other Bears who are otherwise just living their lives in no direct conflict with anyone. 

    Moving forward, I will be more mindful of this and other mind-bending aspects of our reality in my reviews and discussions here on my blog. I may not be able to control how people are influenced by a movie, but I can at least make it abundantly clear what kind of inspiration they should likely consider the most. Remember to take everything you see, hear, read, and witness with a grain of salt. Because someone has to. 

Ladies & gentlemen, I am TheNorm; thank you all for reading. 

Wednesday, April 19, 2023

Cocaine Bear - Meme The Movie

 


Streaming on Peacock 
Rent on Google Play and YouTube 
Purchase on Apple TV

    In 1985, a would-be drug smuggler airdropped multiple duffle bags of cocaine over a Georgia National Forest before falling to his death, most likely due to a parachute malfunction. Upon further investigation, a Black Bear was found to have consumed over twenty million dollars worth of the substance, having likely overdosed and suffered cerebral hemorrhaging and heart failure. None of the cocaine has ever been recovered, and no other victims have been identified. In fact, the only other noteworthy thing to come out of this event is this meme:


    Then, at some point, newcomer screenwriter Jimmy Warden wondered, "what if the bear didn't die from the cocaine?" That thought experiment formed a screenplay, which then found its way into Universal Studios. It was then green-lit and made into the unbelievably silly and entertaining romp known as Cocaine Bear. A man vs. nature horror/comedy that isn't ashamed of its bombastic nature. While some may take offense to the graphic violence and crude humor, it is a movie that is entirely aware of what it is and chooses to have a blast. It's an excellent demonstration that just because you don't have to do a good job doesn't mean you shouldn't. 

    The film is a series of interconnected vignettes brought together by the shared interactions with a drugged-up apex predator. While the B-stories are standard fair, they are still well told and decently integrated into the film. The movie doesn't have a main story so much as it has a singular plot element that brings all the human fodder together for the central attraction. That, of course, being the well-integrated CGI Bear, the not-so-silent star of the show.

    A fair warning for the potentially squeamish is in order. With a concept as out-there as a Bear high on cocaine, it's unreasonable not to expect graphic violence, and the film does not shy away from the effects a rampaging animal can have on the human body. At the very least, it stays within its welcome and is utilized with just enough taste to maintain its intended impact. 

     Aside from a few questionable editing choices and one or two off-beat character moments, Cocaine Bear is a silly and entertaining cheese-fest that, while not for everyone, will provide some unexpected laughs, decent scares, and a reminder of one of the most essential guidelines to filmmaking. There is no such thing as a bad idea for a movie, only bad executions of ideas. 

Ladies & gentlemen, I am TheNorm; thank you all for reading. 

Sunday, April 9, 2023

Lackadaisy - A Tommy Gun Drum Full of Delight

 


Streaming on YouTube 

    The animation creators are some of the most unsung heroes of the early stages of the pandemic. When traditional live-action film and theater-going was no longer safe for anyone, animators picked up the slack, practically keeping the entertainment industry afloat. Sadly, rather than receiving well-deserved recognition for their efforts and artistic integrity, most simply relegated them back to the outdated (and stupid) perception as a genre strictly for children rather than an artistic medium. When Acadamy Award Winner Guillermo del Toro has to argue this very case at multiple award ceremonies, you know that not enough people are listening. 

    In the West, animation is only recognized as "adult" or "mature" if it's outrageously vulgar or mindlessly graphic. Meanwhile, studios allow unpolished turds like Norm of the North a wide theatrical release for no sound reason other than terrible apathy. 

    So, imagine my delight and pleasant surprise when I stumbled upon Lackadaisy: a pilot for an animated series starring anthropomorphic cats set in the Prohibition era with all that would entail. Make no mistake; this is not a children's series, nor is it yet another vain attempt to emulate the success of "adult" cartoons like Family Guy. This is, without a doubt, a serious drama with a perfect balance of mature storytelling and lighthearted levity that aims to put the closed-minded Western perception of animation to rest. It is also a labor of love, a gorgeous demonstration of hand-drawn animations' beauty, and a fresh take on a classic genre. 

  As much as I would love to discuss this further, I want you to stop reading and see this incredible work for yourself. You can find a link to it below and a link to the creator's website. Please see this fantastic creation for yourself and give the creators as much love and support as possible. We need more animated entertainment like this! 

Ladies & gentlemen, I am TheNorm; thank you all for reading. 


Juror #2 - Unexpected

  For Rent on Apple TV, Amazon Prime, and Microsoft     Cinema royalty Clint Eastwood is a director who works best when presented with a sol...