Georgetown - An Unexpected Presentation

 

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    In the directorial debut of two-time Oscar-winning actor Christoph Waltz (credited as C. Waltz), the adaptation of the New York Times article, The Worst Marriage in Georgetown by Franklin Foer, reminds audiences of elegance in simplicity. Through smooth camera movement, well-timed music ques, and spot-on performances, Georgetown proves itself to be a significant first step into the realm of directing for the uber-talented actor, creating a sense of eager anticipation for what may come next. 

    The story follows Ulrich Mott (Christoph Waltz), an ambitious social climber who marries a famous journalist, Elsa Breht (Vanessa Redgrave), to help his way into the world of diplomacy and world relations. His business, known as the Eminent Persons Group, serves as a kind of "surrogate" for diplomats who cannot physically attend meetings and events. Through this operation, Ulrich hopes to become part of a worldwide relevant event and come out on top like some kind of hero. However, his plans slowly reveal their true nature over time, and his authenticity gets called into question as the term "ponsy scheme" circulates in the air. 

    Overall, the film is a significant step forward for the talented Christoph Waltz. He shows his understanding of camera language, fluid editing, and framing. Plus, as you might expect, he works with his fellow actors incredibly well. Through his efforts, C. Waltz elevates what might otherwise be a slightly dull presentation of talking heads into a fantastically engaging presentation with textured characters and a well-developed mystery.

    I look forward to seeing what else C. Waltz has to offer in the director's chair. 

    However, as much as I appreciate this film in general, I can't help but dock it a few points for some poor choices in cinematography. Photographed by Henry Brahman, whose body of work includes Guardians of the Galaxy Vol.2 and The Suicide Squad (all of which are gorgeously photographed with terrific lighting), his lighting choices for Georgetown feel unusually amateurish. Too many times, I found myself asking, "where is that light coming from?". Admittedly, it is not entirely C. Waltz's fault, but it is a minor annoyance for me nonetheless. 

    Georgetown is a well-crafted drama with a decent mystery that perfectly showcases what we may expect from director C. Waltz in the future. Here's to many more memorable movies with him at the helm. 

    Check it out. 

Ladies & gentlemen, I am TheNorm; thank you all for reading.