Sunday, January 1, 2023

Double Feature Review

 


    That's right, my beautiful readers! We're kicking off the new year with a two-review special! 

    First, I hope you all had a delightful holiday and a safe & satisfying new year. I apologize for my unexpected absence, but life has a nasty habit of sometimes getting in the way of things. You may be glad to hear that I am still in the process of writing another book and a script to eventually adapt Come See The Light into a graphic novel. Here's hoping that eventually transitions into a movie. 

    Anyway, I've got two big movies to review for you today. Both are excellent in their own way and offer something fresh to the table. Let's start with the more recent release. 


Streaming on Netflix 

    Back in 2019, writer & director Rian Johnson (late of Looper and Star Wars: The Last Jedi) graced the silver screen with an Agatha Christie-style murder mystery film titled Knives Out: the story of a prestigious and classy detective named Benoit Blanc (Daniel Craig) who uses his Sherlock-like powers of deductive reasoning, keen observation, and his southern drawl, to solve the murder of a wealthy novelist, and in doing so, determine who of his family will inherit his considerable estate. 

    Like most of Rian Johnson's films, it was witty, beautifully structured, and delivered a clever mystery along with some delightful subversions of expectations. While some may criticize aspects of Johnson's writing (understandably so), there is no denying that it was a pleasant watch all the way through. 

    A few years later, Rian Johnson returns with a new mystery for the determined detective in the hopes of cementing the Knives Out subtitle as a regular film series. Frankly, if they continue to be as good as they have been, I would be delighted to continue seeing more. 

    Without going into too many details for fear of spoiling the mystery, Glass Onion is a spectacular step up from the first film and a pleasant showcase of Rian Johnson's growth as a storyteller. It's an all-around entertaining ensemble film with wittier dialogue, more robust characters, and better-constructed commentary. Not to mention a significant and remarkable plot twist I did not see coming. 

    I liked it better than the first film, mainly for the delightful improvement of Rian Johnson's ability and talent. Not to mention the overall enthralling performances from the entire cast. This is the kind of film that justifies maintaining a Netflix subscription. 

    Glass Onion comes highly recommended anytime. 

    Now, let's move on to the next film. 


For rent on Apple TV, Amazon, YouTube, and Google Play

    Some say to keep historical inaccuracy from getting in the way of enjoying a good story. While there are some negative exceptions to that idea, such as movies with such egregious inaccuracies as to insult the audience and subject matter of the story (I'm looking at you, Green Book), there are also plenty of positive examples. Namely, films that trade complete historical accuracy for presentations of historical wish fulfillment. A few prime examples would be Quentin Tarantino's classic Django Unchained and Once Upon a Time in Hollywood. Both films tackle some of history's greatest tragedies and darkest moments without shying away from their ugliness. Rather than simply ending with how it was, they present a "what if" scenario. And, in doing so, offer a call to action to learn from past mistakes and do better for the future. 

    The Woman King is also such a movie. A film with just enough historical accuracy to show its understanding of its subject material while providing a hopeful and uplifting lesson on moving forward. All delivered in what may be my unexpected favorite movie of 2022.

    Set in the 18th century, the story follows the kingdom of Dahomey and its all-woman warriors led by the bravest of the brave, Nanisca (Viola Davis). After taking in a new recruit under her wing, Nawi (Thuso Mbedu), the two women learn of a dark and previously secret bond between them. One that might change everything they believed about themselves and their perception of the world around them. 

    While the film does a spectacular job showcasing well-choreographed action set pieces, gorgeous costume designs, and an epic plot about tribal clashes and colonization, the film is ultimately about courage, inner power, and love. It presents a personal story in an engaging and heart-pounding experience. 

    This is one film that absolutely defines the word epic. The film shines brightest through its competent direction, sharp writing, and profound performances from everyone in the cast. While some may object to the bits of graphic violence, it is at least justified in this film, as it is there to enhance the story and is not present merely for its own sake.

    Check this one out! 

Ladies & gentlemen, I am TheNorm; thank you all for reading. 

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