TheNorm's Top 5 Camcorders for Cinema

 

    Many a time on this blog, I have discussed, explained, and defended the use of digital cameras of all kinds for cinema. I stand by the notion that no matter what camera system you use, if you can create exciting images that tell a story, you're making cinema, regardless of whatever famous conjecture wants you to believe. Still, there is an ongoing argument about what constitutes a cinema camera. This is a topic I have briefly discussed before. And while I continue to stand by my convictions, some of my beautiful readers, who might be interested in picking up a camera, would also appreciate some recommendations of where to start. 

    While there are many unique cinema-style cameras out there with fantastic image quality, versatile lens options, etc., there are also many cameras technically not "built" for cinema that can deliver quality just as good (if not better in some cases) and faster for a fraction of the price of a conventional cinema camera system. Most "cinema" cameras require additional lenses, separate monitors (assuming one isn't already installed into the camera itself), external stabilizers for smooth movement, etc. 

    Meanwhile, various camcorders offer images and mechanical features almost on par with most conventional cinema cameras. These cameras feature built-in lenses, onboard stabilization, and incredible high-quality images. Most of them are disregarded as not suitable for narrative films. To those folks, check out the award-winning movies 28 Days Later, Pieces of April, and The Man from Earth for proof that concept that consumer camcorders can, in fact, create cinema. 

    Over the years, I have used and learned about many camcorders for various projects, including cinema. Some belonged to my friends, while others I have purchased. Having found my preferences in what I want out of a camera, I have narrowed down a handful of models to be the best starting point for beginners and the best potential stopping point for professionals. Of course, this is all based on personal preference and is not intended as an indictment of traditional cinema cameras. Some of the cameras I'll be recommending are older models that can be bought for excellent bargains, saving tons of money for production. 

    This is TheNorm's Top 5 Camcorders for Cinema. 

#5 

Canon Vixia HF G60 

    Although I have not used this particular model before, I used an earlier model of Canon Vixia camcorder as my first HD camera when I was starting to figure out filmmaking. While Canon may have unintentionally started the DSLR Cinema movement with their landmark 5D Mark II and 7D (photography cameras that have decent video options), their dedicated video cameras are top-notch and worthy of any cinema production. 

    The G60 has many features that most modern filmmakers would look for, including 4K resolution and 5-axis image stabilization. Also, like nearly all Canon cameras, it features their signature color science creating beautiful color options for in-camera looks or post-production adjustment. 

    If you're a Canon fan and can find one for a decent price, it's a worthy option. 

#4

iPhone

    It goes without saying that the iPhone (and smartphones, in general) have started their own little revolution in filmmaking. Since the majority of people have a smartphone with them today, everyone has the potential to become a filmmaker by learning how to best use their phone's video functions. The iPhone has already been used as the primary camera for successful feature films like Tangerine and Steven Soderbergh's Unsane. 

    With various applications allowing complete control over the phone's camera functions, along with a multitude of highly affordable external devices like lens adaptors & stabilizers, in the right hands, an iPhone can deliver cinema on par with the likes of any given Hollywood product. If you have a smartphone, you can make a movie. 

#3 

Panasonic HC-X2000

    This is another more modern 4K model that is, admittedly, pricier but is well worth every penny. I had the opportunity to use this camera on a few productions sometime ago and was impressed with what it could do. It's one supporting case for arguing how great things come in small packages. 

    It has everything you could ever want from a fully functional video camera: built-in ND filters, multiple high-quality video codec options, XLR audio, and a whole galaxy of color adjustment options. It's ranked in the middle of this list for its versatility and price. 

#2

Sony HXR NX100

    Regarding the quality of video cameras, I put most of my trust in Panasonic and Sony. Both brands were ahead in the game of consumer cinema and continue to provide a myriad of fascinating image-making machines, both in stills and video. Sony especially has an advantage, being the company to create the first HD camera intended for high-end productions, the F900. 

    The NX100 may not be as powerful as any of Sony's more conventional cinema cameras, but it provides many usable options for cinematic applications. Adjustable picture profiles, complete manual control, and assist functions for exposure, focus & framing. Not to mention some impressive low-light performance. 

#1 

Sony HXR NX70U 

    This may seem unusual for my #1 pick as it's the least (technically speaking) cinema-capable camera on the list: it has no options for image color adjustments outside of white balance, it has fewer monitor assist functions (like aspect ratio markings) than one might prefer, no built-in ND filters, and some might find its mandatory touch-screen interface a bit cumbersome. 

    However, despite these shortcomings, there is plenty in this little package suitable for cinematic applications. 

    The images adapt well to most post-production LUTs for color style. It features slow motion recording at 250 frames per second (albeit only for 3 seconds of recording time). With a large enough battery, the camera can function for seven to eight hours, even with the XLR audio adapter. The sensor features remarkable performance in low light with minimal grain/noise even at higher sensitivities; the little grain/noise in the image is minimal and feels more organic and, dare I say, film-like than typical ugly digital noise. 

    The best feature of this camera is its rain & dustproof body. This machine can easily handle treacherous terrain, especially when removing the XLR adapter. Its compact size and light weight make it an excellent option for tricky locations. 

    Pick up an ND16 filter for daytime shoots if you want this model. Otherwise, you'll end up over-cranking the shutter speed. 

Ladies & gentlemen, I am TheNorm; thank you all for reading.