Based on the novel The Penal Colony by Richard Herley, the story follows a young former soldier named Robbins (Ray Leotta) who was sentenced to life in prison for murder. Upon arriving at a maximum security penitentiary, the warden drops Robbins on a remote island populated by other prisoners divided into two factions: the Outsiders, a savage band of raiders and scavengers led by the charismatic psychopath Marek (Stuart Wilson), and the Insiders, a civilized colony lead by The Father (Lance Henriksen) and protected by their head of security, Hawkins (Ernie Hudson). Despite the promise of a decent life within the confines of the Island, Robbins' only desire is to escape. With the surveillance satellites watching the entire island and the rising potential of an all-out war between the two factions, escape may be impossible.
This movie is what I like to describe as good cheese or a high-ranking "B" movie. It's a quintessential example that just because you don't have to do a good job doesn't mean you shouldn't.
The action is one of the film's many selling points. Like most action movies before the year 2000, it doesn't rely upon shaky-cam and rapid-fire editing techniques to amp up the action artificially. Proper fight choreography, ample stunt coordination, and heavy reliance on practical effects (with a bit of CGI when needed) are the prime ingredients that make this a delightful action fest.
The performances carry the film's story in many entertaining and surprisingly nuanced ways. According to YouTuber Oliver Harper, the goal was to get a traditional action star in the lead role, such as Stallone or Jean Claude Van Damn. However, the film's tight budget made that impossible, as it could not accommodate such a high-rolling star. So, instead of getting known action stars, they cast talented character actors who could learn how to handle the action. It reminds me of movies like Con-Air or Predators: high-octane action films cast with unknowns and character actors who could carry both the action and emotional weight with ease.
Ray Liotta is especially noteworthy here. His character comes off as cold and distant, conveying the typical firm and silent type seen in most movies of this caliber. But underneath the surface is a fractured man with PTSD who is trying to make things right for his previous and dreadful actions.
The MVP award goes to Ernie Hudson for being his usual charming self and delivering an instantly likable and excellent character. He is also the source of the movie's many bonus points for not having the black character die in the story, an overused cliché I have never appreciated.
No Escape is, somewhat ironically, a fantastic and enthralling piece of escapist art. It delivers the goods with engaging performances, thrilling action set pieces, and a decently nuanced commentary on the human condition. If you've never seen this movie, you owe it to yourself to hunt down a copy and see it. Start off the new year with a bang!
Ladies & gentlemen, I am TheNorm; thank you all for reading.
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